The guns were out a few days' ago, heralding the start of the shooting season. By the sound of it, there was a drive not far from the shelter, so when I went up yesterday late afternoon I was half expecting to find some damage. Thankfully there was none. It was quiet; Cross Fell was slightly misty set against a milky sky. No strong shadows or distant colours. The ground and the air smelt fresh, more savoury than sweet. This evening seemed more masculine than feminine.
I took some time observing the tree/earth/water interface and made some colour exercises. Having chosen not to bring my camera, I was forced away from the comfort of the lens and the instant image. I'm beginning to find that observation without drawing, although a lot less intensive, is still a valuable exercise and informs my practice back home, as illustrated in these paintings above and below. Visual memory is an important attribute for a visual artist, but it's one that needs regular exercise, particularly with age.
As I lay in the hammock looking up at the trees against the sky, two kestrels flew into sight embroiled in a mid-flight argument. One settled on the branch immediately above me. I wasn't keeping particularly still and the bird paid me no attention, and although I was slightly concerned that I was in line-of-fire if it chose to release its bowels, it did feel a privilege to be sharing the same environment so easily. It stayed for several minutes. I played the strings of the hammock and I could feel the vibrations run through both trees. I'm sure the bird would have felt them. The thought struck me that I could record these and other sounds and assemble them into a digital composition. It would be another way of expressing the harmony that I often experience here.
I attempted some more drawing, but the strength of the sun had waned as the evening came, and without a wind the midges were feeding on my face and upper torso. They were such a distraction that I gave-up, packed-up and walked home with my ears burning and my wrists and elbows itching.
the wild studio experience - in the early spring of 2010, I made a shelter for observing, drawing and making artwork, high up on the fellside behind my North Pennines home in England's north. Since that time I've tried exploring other landscapes with a similar immersion in their environments. This (b)log describes my progress and some other works.
Showing posts with label air. Show all posts
Showing posts with label air. Show all posts
Tuesday, 17 August 2010
out of shot
Friday, 30 July 2010
early fruiting
Yesterday was my first trip up to the shelter for over a week. Things are changing even more. I saw what appear to be chanterelle mushrooms.
I hadn't long, and it'll be some time before I can go back up. It was an unpleasant walk up there as I was accompanied by a swarm of flies, but once there I was overjoyed to see that the shelter had withstood the ravishes of more wind and rain. The sun came out and I swung in the hammock, looking skyward for a while. The flies had dispersed. I decided to draw and became absorbed in a drawing of tree-trunk, roots and earth. This is becoming a recurring theme, and I sense the tension between earth and sky as plantlife of every scale aims for optimum growth.
I hadn't long, and it'll be some time before I can go back up. It was an unpleasant walk up there as I was accompanied by a swarm of flies, but once there I was overjoyed to see that the shelter had withstood the ravishes of more wind and rain. The sun came out and I swung in the hammock, looking skyward for a while. The flies had dispersed. I decided to draw and became absorbed in a drawing of tree-trunk, roots and earth. This is becoming a recurring theme, and I sense the tension between earth and sky as plantlife of every scale aims for optimum growth.
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